Discover How the Cold War and Civil Rights Movement Collided when PBS airs “The Jazz Ambassadors”

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28 April 2018
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The Jazz Ambassadors

Courtesy of Louis Armstrong House Museum
“The Jazz Ambassadors”
Premieres Friday, May 4 at 10 PM on PBS
(Check your local listings)

          The Cold War and Civil Rights movement collide in this remarkable story of music, diplomacy and race. In 1955, as the Soviet Union’s pervasive propaganda about the U.S. and American racism spread globally, African-American Congressman Adam Clayton Powell, Jr. convinced President Eisenhower that jazz was the best way to intervene in the Cold War cultural conflict. For the next decade, America’s most influential jazz artists, including Dizzy Gillespie, Louis Armstrong, Duke Ellington, Benny Goodman and Dave Brubeck, along with their racially-integrated bands, traveled the globe to perform as cultural ambassadors.

        But the unrest back home forced them to face a painful moral dilemma: how could they promote the image of a tolerant America abroad when the country still practiced Jim Crow segregation and racial equality remained an unrealized dream? Told through striking archival film footage, photos and radio clips, with iconic performances throughout, the documentary reveals how the U.S. State Department unwittingly gave the burgeoning Civil Rights movement a major voice on the world stage just when it needed one most. Leslie Odom, Jr., narrates.
 


        Spurred by presenter Willis Conover’s hugely-popular Voice of America radio show, audiences worldwide develop a passion for American jazz. When Louis Armstrong plays before more than 100,000 people in West Africa, U.S. diplomats take note, thinking that jazz could give America an edge in the Cold War. In January 1956, trumpeter Dizzy Gillespie kicks off his tour of the Middle East and Turkey to help counter Soviet stories about American racism. Over the next 10 years, more than 20 tours featuring renowned jazz musicians visit over 100 countries, giving Civil Rights an international platform even while the performers themselves questioned representing a nation still roiling with segregation and intolerance. Benny Goodman and his mixed-race band’s 1962 tour of the Soviet Union was the first time that the Russians permitted a foreign jazz band to tour the region. The U.S. State Department scaled back the Jazz Ambassadors program when Duke Ellington’s tour of the Middle East and India was tragically cut short by JFK’s assassination.

          Louis Armstrong performing in the British West African colony of The Gold Coast (now Ghana), where he dedicates the iconic song “Black and Blue,” about the agony of racism, to Prime Minister Kwame Nkrumah. Quincy Jones shares his incredible experiences at age 22 as Dizzy Gillespie’s musical director, arranger and trumpet player with the band, performing in countries including Iraq, Iran, Syria and Pakistan. In a press interview after the September 1957 incident in Little Rock, AR, where white crowds prevented African American children from entering their school, Louis Armstrong discusses racism in American homes and says he refuses to lie about it overseas. In a rare interview on Swedish Television amidst the U.S. struggle towards Civil Rights, Duke Ellington discusses the sacrifices and cultural contributions made by African Americans, as well as jazz being recognized as “the American Music” while the genre was “mostly Negro.”

 

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