Juvenile Prisoners Write Screenplays with Producer Gabe Cowan on Independent Lens' Premiere of "They Call Us Monsters"

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20 May 2017
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They Call Us Monsters
Courtesy of BMP Films
Independent Lens: “They Call Us Monsters”
Premieres Monday, May 22 at 10 PM ET on PBS
(Check your local listings)
 
          “They Call Us Monsters” goes behind the walls of the Compound, a high-security facility where Los Angeles houses its most violent juvenile criminals. To their advocates, they’re kids. To the system, they’re adults. To their victims, they’re monsters The film follows three young offenders who sign up to take a screenwriting class with producer Gabe Cowan as they await their respective trials. Arrested at 16, Jarad faces 200 years-to-life for four attempted murders; Juan, also arrested at 16, faces 90-to-life for first-degree murder; Antonio was arrested at 14 and faces 90-to-life for two attempted murders. As the boys work with Gabe on their screenplay, their complex stories are revealed.
 

          Halfway through the class, Antonio returns to juvenile court and is released with time served but, back in the neighborhood, he quickly falls into the same patterns of drug use and gang life that led to his incarceration in the first place. Meanwhile, the realities of Jarad and Juan’s crimes and pending trials set in. One of the victims of Jarad’s shooting is only 17 and permanently confined to a wheelchair. And, even if he is released, Juan faces deportation and separation from his family, including his infant son.
 
          “I first visited the Compound in early 2013 and just couldn’t stop thinking about this world I’d stumbled into – the narrow space between a lost childhood and a stolen adulthood where these kids managed to live, laugh and discover their potential,” said filmmaker Lear. “When I learned about an upcoming California Senate Bill that would provide them the opportunity for a second chance, I knew I had a film to make.”
 
          In California, juveniles between the ages of 14 and 17 can be tried as adults and receive sentences longer than their natural life expectancy. As the film reveals, in the last four years, the state has passed bills to decrease juvenile sentencing – a move that has re-sparked a national debate over the very nature of these violent juvenile offenders. Do they have the capacity to change and return to society? What responsibility does society have to these kids and to their victims?
 
 

 


 
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